March 2010
103 posts
Rusko - Da Cali Anthem
been looking for a full version of this track since hearing Rusko’s mix for Mishka late last year—Mad Decent just dropped it on their site for free(!) and in 320(!!). haven’t been the biggest fan of Rusko’s post-Babylon Vol. 2 production, but some of his tunes definitely still bang. here’s exhibit a.
via tumblrrhea
Once again, Percussion Lab founder Praveen stakes out the borders of the newest subgenre to emerge from the dubstep/UK house scene - Lovestep. 2 Step, future garage, dubstep, techno, lowpass filters, rhodes and ethereal vocals are expertly espoused, exposing a sensual, seductive side for our listeners. Unreleased tracks by Sepalcure, South East Soul and Machinedrum.
Synkro - My Own World
Pangaea - Because of You
2562 - Lost
Martyn - Friedrichstrasse
Joy Orbison - The Shrew Would Have Cushioned the Blow
South East Soul - Lust
Deadboy - U Cheated
Sepalcure - Love Pressure
Joy Orbison - So Derobe
Mala - Alicia
Roof Light - In Your Hands
Wax / Shed - Dub Shed / STP Remix
Sepalcure - Down
Raffertie - 7th Dimension
Cosmin TRG - Since Last Night
Peter Hadar - Full Time Lover / Machinedrum Remix
Floating Points - For You
Also, be sure to check out Lovestep Mix Vol. 1, featured exclusively last December on Percussion Lab.(via Sougwen at Percussion Lab)
Az Emberibb Parkolásért Mozgalom keddi, médiavisszhang nélkül maradt sajtóközleménye után két nappal a Hajtás Pajtás minden publikus email címmel rendelkező dolgozója brutál leveleket kapott egy bizonyos Csalános Jánostól. Igyekeztem nagyon higgadtan válaszolni, de nem sikerült értelmes szintre vinni a levelezést. Ekkor egy hirtelen ötlettől vezérelve megnéztem az autós civilekkel váltott őszi mailek forrás IP-jét, és BINGÓ!
EPIC
mintha magukat akarnák lejáratni
“Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money.
This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.”